Carriage House Press: Kathy Jenkins and KD Mernin's Monotype Online Art Gallery

 

 

 

 

 

 

 

 

 

 

 

 

 

 

KD Mernin, "Maine Coast Diptych"
Monotype, 18" x 24", 2005

 

 

 

 

 

Links Page

Noca

North Cambridge Art Association

NoCa includes painters, woodworkers, sculptors, photographers, jewelry makers, fabric artists, mixed-media artists, musicians, dancers, writers and poets. More than 50 artists throughout North Cambridge open their doors to the public during Open Studios. Readings and performances are at scheduled times.

NoCa Arts is an association of accomplished, professional visual and performing artists living and/or working in North Cambridge with a strong commitment to the neighborhood and community.

Link: http://www.noca-arts.org/

Cambridge Arts Council

The Cambridge Arts Council (CAC) is the official arts agency for the City of Cambridge, MA. Established by City ordinance in 1974 and incorporated as a public non-profit in 1976, CAC's mission is to ensure that the arts remain vital for people living, working and visiting Cambridge. As both a service and presenting organization, CAC accomplishes this mission by stimulating public awareness of and support for the arts, preserving and celebrating the City's diverse cultural heritage, displaying art in public places, and developing opportunities to improve the overall aesthetic experience for residents of and visitors to Cambridge.

Link: http://www.cambridgema.gov/-CAC/

What is a Monotype?

The difference between monotypes and monoprints frequently baffles art buyers and sellers alike! Therefore, a description of that difference is useful at the outset.

A monoprint is one of a series—therefore, not wholly unique. A monoprint begins with an etched plate, a serigraph, lithograph or collograph. This underlying image remains the same and is common to each print in a given series. Other means of adding pigment or design are then employed to make each print in the series slightly different. The series of monoprints has a limited number of prints and each is numbered.

A monotype is one of a kind, a unique piece of artwork. It is the simplest form of printmaking, requiring only pigments, a surface on which to apply them, paper and some form of press. Frank Howell, the late Santa Fe artist who became an expert with the medium of monotypes, most clearly describes the process:

Monotypes are pulled impressions that were drawn or painted on a metal or plexiglass plate. The images are created through applications of ink that are rolled, brushed, daubed or otherwise applied and manipulated and then, with the material, usually paper, that is to accept an impression, are "pulled" with the use of a press.

Monotypes are inherently unique because only one or two impressions may be pulled before the ink is used up. Although there may be a second impression, it is quite different from the first in that most of the ink was lifted from the plate in its first pass through the press. The second impression, called a ghost or cognate, is much lighter or thinner and is more of a suggestion of the first. Each pulled impression may be considered a finished work or it may be further enhanced by the application of additional drawing or color.

. . . recent experimentations in the use of inks mixed with various viscosities of oil, applied in multiple layers on the same plate prior to printing have produced complex and exciting impressions. When technically well-executed, monotypes created in this manner are distinctly monotypes in their incredible fidelity to the artist's manipulations of ink, but have a remarkable transparent and "layered" quality that is not otherwise achievable.

— from Frank Howell, Monotypes.

Link: http://www.collectorsguide.com/fa/fa042.shtml

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KD Mernin, "Maine Coast Diptych"
Monotype, 18" x 24", 2005

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

KD Mernin, "Maine Coast Diptych"
Monotype, 18" x 24", 2005